Poems About Loss

The first 30 of 97 poems about loss, by 25 poets, ranked by third-party data. How poems are ranked

BREAK, BREAK, BREAK

Alfred, Lord Tennyson

In 1 Wikipedia 3 anthologies Poet in 72 Wikipedias

Break, break, break, On thy cold gray stones, O sea!And I would that my tongue could utter The thoughts that arise in me.

O well for the fisherman's boy That he shouts with his sister at play!O well for the sailor lad That he sings in his boat on the bay!

And the stately ships go on, To the haven under the hill;But O for the touch of a vanished hand, And the sound of a voice that is still!

Break, break, break, At the foot of thy crags, O sea!But the tender grace of a day that is dead Will never come back to me.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

HIGHLAND MARY

Robert Burns

In 0 Wikipedias 5 anthologies Poet in 89 Wikipedias

Ye banks and braes and streams around The castle o' Montgomery,Green be your woods, and fair your flowers, Your waters never drumlie!There simmer first unfauld her robes, And there the langest tarry;For there I took the last fareweel O' my sweet Highland Mary.

How sweetly bloom'd the gay green birk, How rich the hawthorn's blossom,As underneath their fragrant shade I clasp'd her to my bosom!

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The golden hours on angel wings Flew o'er me and my dearie;For dear to me as light and life Was my sweet Highland Mary.

Wi' mony a vow and lock'd embrace Our parting was fu' tender;And pledging aft to meet again, We tore oursels asunder;But O! fell Death's untimely frost, That nipt my flower sae early!Now green's the sod, and cauld's the clay, That wraps my Highland Mary!

O pale, pale now, those rosy lips, I aft hae kiss'd sae fondly!And closed for aye the sparkling glance That dwelt on me sae kindly;And mouldering now in silent dust That heart that lo'ed me dearly!But still within my bosom's core Shall live my Highland Mary.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

FIDELE

William Shakespeare

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Fear no more the heat o' the sun, Nor the furious winter's rages:Thou thy worldly task hast done, Home art gone, and ta'en thy wages:Golden lads and girls all must,As chimney-sweepers, come to dust.

Fear no more the frown o' the great, Thou art past the tyrant's stroke;Care no more to clothe and eat; To thee the reed is as the oak:The sceptre, learning, physic, mustAll follow this, and come to dust.

Fear no more the lightning flash Nor the all-dreaded thunder-stone;Fear not slander, censure rash; Thou hast finish'd joy and moan:All lovers young, all lovers mustConsign to thee, and come to dust.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

ELEGY WRITTEN IN A COUNTRY CHURCH-YARD

Thomas Gray

In 0 Wikipedias 4 anthologies Poet in 40 Wikipedias

The curfew tolls the knell of parting day,The lowing herd wind slowly o'er the lea,The ploughman homeward plods his weary way,And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,And all the air a solemn stillness holds,Save where the beetle wheels his droning flight,And drowsy tinklings lull the distant folds:

Save that from yonder ivy-mantled towerThe moping owl does to the moon complainOf such as, wandering near her secret bower,Molest her ancient solitary reign.

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Beneath those rugged elms, that yew-tree's shade,Where heaves the turf in many a mouldering heap,Each in his narrow cell for ever laid,The rude Forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,The swallow twittering from the straw-built shed,The cock's shrill clarion, or the echoing horn,No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burnOr busy housewife ply her evening care:No children run to lisp their sire's return,Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,Their furrow oft the stubborn glebe has broke;How jocund did they drive their team afield!How bow'd the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,Their homely joys, and destiny obscure;Nor Grandeur hear with a disdainful smileThe short and simple annals of the Poor.

The boast of heraldry, the pomp of power,And all that beauty, all that wealth e'er gave,Await alike th' inevitable hour:--The paths of glory lead but to the grave.

Nor you, ye Proud, impute to these the faultIf Memory o'er their tomb no trophies raise,Where through the long-drawn aisle and fretted vault,The pealing anthem swells the note of praise.

Can storied urn or animated bustBack to its mansion call the fleeting breath?Can Honour's voice provoke the silent dust,Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laidSome heart once pregnant with celestial fire;Hands, that the rod of empire might have sway'd,Or waked to ecstasy the living lyre:

But Knowledge to their eyes her ample pageRich with the spoils of time, did ne'er unroll;Chill Penury repress'd their noble rage,And froze the genial current of the soul.

Full many a gem of purest ray sereneThe dark unfathom'd caves of ocean bear:Full many a flower is born to blush unseen,And waste its sweetness on the desert air.

Some village-Hampden, that with dauntless breastThe little tyrant of his fields withstood,Some mute inglorious Milton here may rest,Some Cromwell, guiltless of his country's blood.

Th' applause of listening senates to command,The threats of pain and ruin to despise,To scatter plenty o'er a smiling land,And read their history in a nation's eyes

Their lot forbad; nor circumscribed aloneTheir growing virtues, but their crimes confined;Forbad to wade through slaughter to a throne,And shut the gates of mercy on mankind;

The struggling pangs of conscious truth to hide,To quench the blushes of ingenuous shame,Or heap the shrine of Luxury and PrideWith incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strifeTheir sober wishes never learn'd to stray;Along the cool sequester'd vale of lifeThey kept the noiseless tenour of their way.

Yet e'en these bones from insult to protectSome frail memorial still erected nigh,With uncouth rhymes and shapeless sculpture deck'd,Implores the passing tribute of a sigh.

Their name, their years, spelt by the unletter'd Muse,The place of fame and elegy supply:And many a holy text around she strews,That teach the rustic moralist to die.

For who, to dumb forgetfulness a prey,This pleasing anxious being e'er resign'd,Left the warm precincts of the cheerful day,Nor cast one longing, lingering look behind?

On some fond breast the parting soul relies,Some pious drops the closing eye requires;E'en from the tomb the voice of Nature cries,E'en in our ashes live their wonted fires.

For thee, who, mindful of th' unhonour'd dead,Dost in those lines their artless tale relate;If chance, by lonely Contemplation led,Some kindred spirit shall inquire thy fate,--

Haply some hoary-headed swain may say,Oft have we seen him at the peep of dawn,Brushing with hasty steps the dews away,To meet the sun upon the upland lawn;

There, at the foot of yonder nodding beechThat wreathes its old fantastic roots so high,His listless length at noon-tide would he stretch,And pore upon the brook that babbles by.

Hard by yon wood, now smiling as in scorn,Muttering his wayward fancies he would rove;Now drooping, woeful-wan, like one forlorn,Or crazed with care, or cross'd in hopeless love.

One morn I miss'd him on the custom'd hill,Along the heath, and near his favourite tree;Another came; nor yet beside the rill,Nor up the lawn, nor at the wood was he;

The next with dirges due in sad array,Slow through the church-way path we saw him borne,--Approach, and read (for thou canst read) the layGraved on the stone beneath yon aged thorn.

THE EPITAPH.

Here rests his head upon the lap of EarthA Youth, to Fortune and to Fame unknown;Fair Science frown'd not on his humble birth,And Melancholy mark'd him for her own.

Large was his bounty, and his soul sincere;Heaven did a recompense as largely send:He gave to Misery all he had, a tear,He gain'd from Heaven, 'twas all he wish'd, a friend.

No farther seek his merits to disclose,Or draw his frailties from their dread abode,(There they alike in trembling hope repose),The bosom of his Father and his God.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

Life! I know not what thou art,

Anna Laetitia Barbauld

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Life! I know not what thou art,But know that thou and I must part;And when, or how, or where we metI own to me's a secret yet.

Life! we've been long togetherThrough pleasant and through cloudy weather;'Tis hard to part when friends are dear--Perhaps 'twill cost a sigh, a tear;--Then steal away, give little warning, Choose thine own time;Say not Good Night,--but in some brighter clime Bid me Good Morning.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

THE DEATH BED

Thomas Hood

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We watch'd her breathing thro' the night, Her breathing soft and low,As in her breast the wave of life Kept heaving to and fro.

But when the morn came dim and sad And chill with early showers,Her quiet eyelids closed--she had Another morn than ours.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

DEATH THE LEVELLER

James Shirley

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The glories of our blood and state Are shadows, not substantial things;There is no armour against fate; Death lays his icy hand on kings: Sceptre and Crown Must tumble down,And in the dust be equal madeWith the poor crooked scythe and spade.

Some men with swords may reap the field, And plant fresh laurels where they kill:But their strong nerves at last must yield; They tame but one another still: Early or late They stoop to fate,And must give up their murmuring breathWhen they, pale captives, creep to death.

The garlands wither on your brow; Then boast no more your mighty deeds;Upon Death's purple altar now See where the victor-victim bleeds: Your heads must come To the cold tomb;Only the actions of the justSmell sweet, and blossom in their dust.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

FAIR HELEN

Anonymous

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I wish I were where Helen lies;Night and day on me she cries;O that I were where Helen lies On fair Kirconnell lea.

Curst be the heart that thought the thought,And curst the hand that fired the shot,When in my arms burd Helen dropt, And died to succour me!

O think na but my heart was sair,When my Love dropt down and spak nae mair!I laid her down wi' meikle care, On fair Kirconnell lea.

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As I went down the water side,None but my foe to be my guide,None but my foe to be my guide, On fair Kirconnell lea;

I lighted down my sword to draw,I hacked him in pieces sma',I hacked him in pieces sma', For her sake that died for me.

O Helen fair, beyond compare!I'll make a garland of thy hairShall bind my heart for evermair Until the day I die.

O that I were where Helen lies!Night and day on me she cries;Out of my bed she bids me rise, Says, "Haste, and come to me!"

O Helen fair! O Helen chaste!If I were with thee, I were blest,Where thou lies low and takes thy rest On fair Kirconnell lea.

I wish my grave were growing green,A winding-sheet drawn ower my een,And I in Helen's arms lying, On fair Kirconnell lea.

I wish I were where Helen lies;Night and day on me she cries;And I am weary of the skies, Since my Love died for me.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

SOUL AND BODY

William Shakespeare

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Poor Soul, the centre of my sinful earth,Fool'd by those rebel powers that thee array,Why dost thou pine within, and suffer dearth,Painting thy outward walls so costly gay?

Why so large cost, having so short a lease,Dost thou upon thy fading mansion spend?Shall worms, inheritors of this excess,Eat up thy charge? is this thy body's end?

Then, Soul, live thou upon thy servant's loss,And let that pine to aggravate thy store;Buy terms divine in selling hours of dross;Within be fed, without be rich no more:--

So shall thou feed on death, that feeds on men,And death once dead, there's no more dying then.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “CONSOLATION”, The World's Best Poetry

For Annie

Edgar Allan Poe

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Thank Heaven! the crisis-- The danger is past,And the lingering illness Is over at last--And the fever called ‘Living’ Is conquer’d at last.

Sadly, I know I am shorn of my strength,And no muscle I move As I lie at full length:But no matter--I feel I am better at length.

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And I rest so composedly Now, in my bed,That any beholder Might fancy me dead--Might start at beholding me, Thinking me dead.

The moaning and groaning, The sighing and sobbing,Are quieted now, With that horrible throbbingAt heart--ah, that horrible, Horrible throbbing!

The sickness--the nausea-- The pitiless pain--Have ceased, with the fever That madden’d my brain--With the fever called ‘Living’ That burn’d in my brain.

And O! of all tortures That torture the worstHas abated--the terrible Torture of thirstFor the naphthaline river Of Passion accurst--I have drunk of a water That quenches all thirst.

--Of a water that flows, With a lullaby sound,From a spring but a very few Feet under ground--From a cavern not very far Down under ground.

And ah! let it never Be foolishly saidThat my room it is gloomy, And narrow my bed;For man never slept In a different bed--And, to sleep, you must slumber In just such a bed.

My tantalized spirit Here blandly reposes,Forgetting, or never Regretting its roses--Its old agitations Of myrtles and roses:

For now, while so quietly Lying, it fanciesA holier odour About it, of pansies--A rosemary odour, Commingled with pansies--With rue and the beautiful Puritan pansies.

And so it lies happily, Bathing in manyA dream of the truth And the beauty of Annie--Drown’d in a bath Of the tresses of Annie.

She tenderly kiss’d me, She fondly caress’d,And then I fell gently To sleep on her breast--Deeply to sleep From the heaven of her breast.

When the light was extinguish’d, She cover’d me warm,And she pray’d to the angels To keep me from harm--To the queen of the angels To shield me from harm.

And I lie so composedly, Now, in my bed(Knowing her love), That you fancy me dead--And I rest so contentedly, Now, in my bed(With her love at my breast), That you fancy me dead--That you shudder to look at me, Thinking me dead.

But my heart it is brighter Than all of the manyStars in the sky, For it sparkles with Annie--It glows with the light Of the love of my Annie--With the thought of the light Of the eyes of my Annie.

Source

The Oxford Book of English Verse 1250–1900, 1900

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

HOME THEY BROUGHT HER WARRIOR DEAD

Alfred, Lord Tennyson

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Home they brought her warrior dead: She nor swooned, nor uttered cry;All her maidens, watching, said, "She must weep or she will die."

Then they praised him, soft and low, Called him worthy to be loved,Truest friend and noblest foe; Yet she neither spoke nor moved.

Stole a maiden from her place, Lightly to the warrior stept,Took the face-cloth from the face; Yet she neither moved nor wept.

Rose a nurse of ninety years, Set his child upon her knee,--Like summer tempest came her tears, "Sweet my child, I live for thee."

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

Requiescat

Matthew Arnold

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Strew on her roses, roses, And never a spray of yew.In quiet she reposes: Ah! would that I did too.

Her mirth the world required: She bathed it in smiles of glee.But her heart was tired, tired, And now they let her be.

Her life was turning, turning, In mazes of heat and sound.But for peace her soul was yearning, And now peace laps her round.

Her cabin’d, ample Spirit, It flutter’d and fail’d for breath.To-night it doth inherit The vasty hall of Death.

Source

The Oxford Book of English Verse 1250–1900, 1900

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

Virtue

George Herbert

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Sweet day, so cool, so calm, so bright!The bridal of the earth and sky--The dew shall weep thy fall to-night; For thou must die.

Sweet rose, whose hue angry and braveBids the rash gazer wipe his eye,Thy root is ever in its grave, And thou must die.

Sweet spring, full of sweet days and roses,A box where sweets compacted lie,My music shows ye have your closes, And all must die.

Only a sweet and virtuous soul,Like season’d timber, never gives;But though the whole world turn to coal, Then chiefly lives.

Source

The Oxford Book of English Verse 1250–1900, 1900

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

THE TOMBS IN WESTMINSTER ABBEY

Francis Beaumont

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Mortality, behold and fearWhat a change of flesh is here!Think how many royal bonesSleep within these heaps of stones;Here they lie, had realms and lands,Who now want strength to stir their hands,Where from their pulpits seal'd with dustThey preach, "In greatness is no trust."Here's an acre sown indeedWith the richest royallest seedThat the earth did e'er suck inSince the first man died for sin:Here the bones of birth have cried"Though gods they were, as men they died!"Here are sands, ignoble things,Dropt from the ruin'd sides of kingsHere's a world of pomp and stateBuried in dust, once dead by fate.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

THE FIRST SNOW-FALL

James Russell Lowell

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The snow had begun in the gloaming, And busily all the nightHad been heaping field and highway With a silence deep and white.Every pine and fir and hemlock Wore ermine too dear for an earl,And the poorest twig on the elm-tree Was ridged inch deep with pearl.

From sheds new-roofed with Carrara Came Chanticleer's muffled crow.The stiff rails were softened to swan's-down, And still fluttered down the snow.

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I stood and watched by the window The noiseless work of the sky,And the sudden flurries of snow-birds, Like brown leaves whirling by.

I thought of a mound in sweet Auburn Where a little headstone stood;How the flakes were folding it gently, As did robins the babes in the wood.

Up spoke our own little Mabel, Saying, "Father, who makes it snow?"And I told of the good All-father Who cares for us here below.

Again I looked at the snow-fall, And thought of the leaden skyThat arched o'er our first great sorrow, When that mound was heaped so high.

I remember the gradual patience That fell from that cloud like snow,Flake by flake, healing and hiding The scar of our deep-plunged woe.

And again to the child I whispered, "The snow that husheth all,Darling, the merciful Father Alone can make it fall!"

Then, with eyes that saw not, I kissed her; And she, kissing back, could not knowThat my kiss was given to her sister, Folded close under deepening snow.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

Lament of the Irish Emigrant

Helen Selina, Lady Dufferin

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I’m sittin’ on the stile, Mary, Where we sat side by sideOn a bright May mornin’ long ago, When first you were my bride;The corn was springin’ fresh and green, And the lark sang loud and high--And the red was on your lip, Mary, And the love-light in your eye.

The place is little changed, Mary, The day is bright as then,The lark’s loud song is in my ear, And the corn is green again;

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But I miss the soft clasp of your hand, And your breath warm on my cheek,And I still keep list’ning for the words You never more will speak.

’Tis but a step down yonder lane, And the little church stands near,The church where we were wed, Mary, I see the spire from here.But the graveyard lies between, Mary, And my step might break your rest--For I’ve laid you, darling! down to sleep, With your baby on your breast.

I’m very lonely now, Mary, For the poor make no new friends,But, O, they love the better still, The few our Father sends!And you were all I had, Mary, My blessin’ and my pride:There’s nothin’ left to care for now, Since my poor Mary died.

Yours was the good, brave heart, Mary, That still kept hoping on,When the trust in God had left my soul, And my arm’s young strength was gone:There was comfort ever on your lip, And the kind look on your brow--I bless you, Mary, for that same, Though you cannot hear me now.

I thank you for the patient smile When your heart was fit to break,When the hunger pain was gnawin’ there, And you hid it, for my sake!I bless you for the pleasant word, When your heart was sad and sore--O, I’m thankful you are gone, Mary, Where grief can’t reach you more!

I’m biddin’ you a long farewell, My Mary--kind and true!But I’ll not forget you, darling! In the land I’m goin’ to;They say there’s bread and work for all, And the sun shines always there--But I’ll not forget old Ireland, Were it fifty times as fair!

And often in those grand old woods I’ll sit, and shut my eyes,And my heart will travel back again To the place where Mary lies;And I’ll think I see the little stile Where we sat side by side:And the springin’ corn, and the bright May morn, When first you were my bride.

Source

The Oxford Book of English Verse 1250–1900, 1900

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

THE BRAES OF YARROW

John Logan

In 0 Wikipedias 3 anthologies Poet in 2 Wikipedias

Thy braes were bonny, Yarrow stream,When first on them I met my lover;Thy braes how dreary, Yarrow stream,When now thy waves his body cover!For ever now, O Yarrow stream!Thou art to me a stream of sorrow;For never on thy banks shall IBehold my Love, the flower of Yarrow!

He promised me a milk-white steedTo bear me to his father's bowers;He promised me a little pageTo squire me to his father's towers;

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He promised me a wedding-ring,--The wedding-day was fix'd to-morrow;--Now he is wedded to his grave,Alas, his watery grave, in Yarrow!

Sweet were his words when last we met;My passion I as freely told him;Clasp'd in his arms, I little thoughtThat I should never more behold him!Scarce was he gone, I saw his ghost;It vanish'd with a shriek of sorrow;Thrice did the water-wraith ascend,And gave a doleful groan thro' Yarrow.

His mother from the window look'dWith all the longing of a mother;His little sister weeping walk'dThe green-wood path to meet her brother;They sought him east, they sought him west,They sought him all the forest thorough;They only saw the cloud of night,They only heard the roar of Yarrow.

No longer from thy window look--Thou hast no son, thou tender mother!No longer walk, thou lovely maid;Alas, thou hast no more a brother!No longer seek him east or westAnd search no more the forest thorough;For, wandering in the night so dark,He fell a lifeless corpse in Yarrow.

The tear shall never leave my cheek,No other youth shall be my marrow--I'll seek thy body in the stream,And then with thee I'll sleep in Yarrow.--The tear did never leave her cheek,No other youth became her marrow;She found his body in the stream,And now with him she sleeps in Yarrow.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

TO MARY IN HEAVEN

Robert Burns

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Thou lingering star, with lessening ray, That lov'st to greet the early morn,Again thou usher'st in the day My Mary from my soul was torn.O Mary! dear departed shade! Where is thy place of blissful rest?See'st thou thy lover lowly laid? Hear'st thou the groans that rend his breast?

That sacred hour can I forget,-- Can I forget the hallowed grove,Where by the winding Ayr we met To live one day of parting love?

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Eternity will not efface Those records dear of transports past;Thy image at our last embrace; Ah! little thought we 't was our last!

Ayr, gurgling, kissed his pebbled shore, O'erhung with wild woods, thickening green;The fragrant birch, and hawthorn hoar, Twined amorous round the raptured scene;The flowers sprang wanton to be prest, The birds sang love on every spray,--Till soon, too soon, the glowing west Proclaimed the speed of winged day.

Still o'er these scenes my memory wakes, And fondly broods with miser care!Time but the impression stronger makes, As streams their channels deeper wear.My Mary! dear departed shade! Where is thy place of blissful rest?See'st thou thy lover lowly laid? Hear'st thou the groans that rend his breast?

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

EVELYN HOPE

Robert Browning

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Beautiful Evelyn Hope is dead! Sit and watch by her side an hour.That is her book-shelf, this her bed; She plucked that piece of geranium-flower,Beginning to die too, in the glass. Little has yet been changed, I think;The shutters are shut,--no light may pass Save two long rays through the hinge's chink.

Sixteen years old when she died! Perhaps she had scarcely heard my name,--It was not her time to love; beside, Her life had many a hope and aim,

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Duties enough and little cares; And now was quiet, now astir,--Till God's hand beckoned unawares, And the sweet white brow is all of her.

Is it too late, then, Evelyn Hope? What! your soul was pure and true;The good stars met in your horoscope, Made you of spirit, fire, and dew;And just because I was thrice as old, And our paths in the world diverged so wide,Each was naught to each, must I be told? We were fellow-mortals,--naught beside?

No, indeed! for God above Is great to grant as mighty to make,And creates the love to reward the love; I claim you still, for my own love's sake!Delayed, it may be, for more lives yet, Through worlds I shall traverse, not a few;Much is to learn and much to forget Ere the time be come for taking you.

But the time will come--at last it will-- When, Evelyn Hope, what meant, I shall say,In the lower earth,--in the years long still,-- That body and soul so pure and gay?Why your hair was amber I shall divine, And your mouth of your own geranium's red,--And what you would do with me, in fine, In the new life come in the old one's stead.

I have lived, I shall say, so much since then, Given up myself so many times,Gained me the gains of various men. Ransacked the ages, spoiled the climes;Yet one thing--one--in my soul's full scope, Either I missed or itself missed me,--And I want and find you, Evelyn Hope! What is the issue? let us see!

I loved you, Evelyn, all the while; My heart seemed full as it could hold,--There was place and to spare for the frank young smile, And the red young mouth, and the hair's young gold.So, hush! I will give you this leaf to keep; See, I shut it inside the sweet, cold hand.There, that is our secret! go to sleep; You will wake, and remember, and understand.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

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  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

LOSS OF THE ROYAL GEORGE

William Cowper

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Toll for the Brave!The brave that are no more!All sunk beneath the waveFast by their native shore!

Eight hundred of the braveWhose courage well was tried,Had made the vessel heelAnd laid her on her side.

A land-breeze shook the shroudsAnd she was overset;Down went the Royal George,With all her crew complete.

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Toll for the brave!Brave Kempenfelt is gone:His last sea-fight is fought,His work of glory done.

It was not in the battle;No tempest gave the shock;She sprang no fatal leak,She ran upon no rock.

His sword was in its sheath,His fingers held the pen,When Kempenfeld went downWith twice four hundred men.

Weigh the vessel upOnce dreaded by our foes!And mingle with our cupThe tear that England owes.

Her timbers yet are sound,And she may float againFull charged with England's thunder,And plough the distant main:

But Kempenfeld is gone,His victories are o'er;And he and his eight hundredShall plough the wave no more.

Source

The Golden Treasury, ed. Francis Turner Palgrave

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  • Named in the title

Song from Ælla

Thomas Chatterton

In 0 Wikipedias 2 anthologies Poet in 34 Wikipedias

O sing unto my roundelay,O drop the briny tear with me;Dance no more at holyday,Like a running river be: My love is dead, Gone to his death-bedAll under the willow-tree.

Black his cryne as the winter night,White his rode as the summer snow,Red his face as the morning light,Cold he lies in the grave below: My love is dead,

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Gone to his death-bedAll under the willow-tree.

Sweet his tongue as the throstle’s note,Quick in dance as thought can be,Deft his tabor, cudgel stout;O he lies by the willow-tree! My love is dead, Gone to his death-bedAll under the willow-tree.

Hark! the raven flaps his wingIn the brier’d dell below;Hark! the death-owl loud doth singTo the nightmares, as they go: My love is dead, Gone to his death-bedAll under the willow-tree.

See! the white moon shines on high;Whiter is my true-love’s shroud:Whiter than the morning sky,Whiter than the evening cloud: My love is dead, Gone to his death-bedAll under the willow-tree.

Here upon my true-love’s graveShall the barren flowers be laid;Not one holy saint to saveAll the coldness of a maid: My love is dead, Gone to his death-bedAll under the willow-tree.

With my hands I’ll dent the briersRound his holy corse to gre:Ouph and fairy, light your fires,Here my body still shall be: My love is dead, Gone to his death-bedAll under the willow-tree.

Come, with acorn-cup and thorn,Drain my heartès blood away;Life and all its good I scorn,Dance by night, or feast by day: My love is dead, Gone to his death-bedAll under the willow-tree.

Source

The Oxford Book of English Verse 1250–1900, 1900

Filed under
  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

THANATOPSIS

William Cullen Bryant

In 0 Wikipedias 2 anthologies Poet in 28 Wikipedias

To him who, in the love of Nature, holdsCommunion with her visible forms, she speaksA various language: for his gayer hoursShe has a voice of gladness, and a smileAnd eloquence of beauty; and she glidesInto his darker musings with a mildAnd healing sympathy, that steals awayTheir sharpness, ere he is aware. When thoughtsOf the last bitter hour come like a blightOver thy spirit, and sad imagesOf the stern agony, and shroud, and pall,And breathless darkness, and the narrow house,

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Make thee to shudder, and grow sick at heart,Go forth under the open sky, and listTo Nature's teachings, while from all around--Earth and her waters, and the depths of air--Comes a still voice:--Yet a few days, and theeThe all-beholding sun shall see no moreIn all his course; nor yet in the cold ground,Where thy pale form was laid, with many tears,Nor in the embrace of ocean, shall existThy image. Earth, that nourished thee, shall claimThy growth, to be resolved to earth again;And, lost each human trace, surrendering upThine individual being, shalt thou goTo mix forever with the elements;To be a brother to the insensible rock,And to the sluggish clod, which the rude swainTurns with his share, and treads upon. The oakShall send his roots abroad, and pierce thy mold. Yet not to thine eternal resting-placeShalt thou retire alone,--nor couldst thou wishCouch more magnificent. Thou shalt lie downWith patriarchs of the infant world,--with kings,The powerful of the earth,--the wise, the good,Fair forms, and hoary seers of ages past,All in one mighty sepulchre. The hills,Rock-ribbed, and ancient as the sun; the valesStretching in pensive quietness between;The venerable woods; rivers that moveIn majesty, and the complaining brooks,That make the meadows green; and, poured round all,Old ocean's gray and melancholy waste,--Are but the solemn decorations allOf the great tomb of man! The golden sun,The planets, all the infinite host of heaven,Are shining on the sad abodes of death,Through the still lapse of ages. All that treadThe globe are but a handful to the tribesThat slumber in its bosom. Take the wingsOf morning, pierce the Barcan wilderness,Or lose thyself in the continuous woodsWhere rolls the Oregon, and hears no soundSave his own dashings,--yet the dead are there!And millions in those solitudes, since firstThe flight of years began, have laid them downIn their last sleep,--the dead reign there alone!So shalt thou rest; and what if thou withdrawIn silence from the living, and no friendTake note of thy departure? All that breatheWill share thy destiny. The gay will laughWhen thou art gone, the solemn brood of carePlod on, and each one, as before, will chaseHis favorite phantom; yet all these shall leaveTheir mirth and their employments, and shall comeAnd make their bed with thee. As the long trainOf ages glide away, the sons of men--The youth in life's green spring, and he who goesIn the full strength of years, matron and maid,And the sweet babe, and the gray-headed man--Shall, one by one, be gathered to thy sideBy those who in their turn shall follow them.

So live, that when thy summons comes to joinThe innumerable caravan that movesTo the pale realms of shade, where each shall takeHis chamber in the silent halls of death,Thou go not, like the quarry-slave at night,Scourged to his dungeon, but sustained and soothedBy an unfaltering trust, approach thy graveLike one who wraps the drappery of his conchAbout him, and lies down to pleasant dreams.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

Filed under
  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

Finis

Walter Savage Landor

In 0 Wikipedias 2 anthologies Poet in 24 Wikipedias

I strove with none, for none was worth my strife.Nature I loved and, next to Nature, Art:I warm’d both hands before the fire of life;It sinks, and I am ready to depart.

Source

The Oxford Book of English Verse 1250–1900, 1900

Filed under
  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

Friends Departed

Henry Vaughan

In 0 Wikipedias 2 anthologies Poet in 19 Wikipedias

They are all gone into the world of light! And I alone sit ling’ring here;Their very memory is fair and bright, And my sad thoughts doth clear.

It glows and glitters in my cloudy breast, Like stars upon some gloomy grove,Or those faint beams in which this hill is drest After the sun’s remove.

I see them walking in an air of glory, Whose light doth trample on my days:My days, which are at best but dull and hoary, Mere glimmering and decays.

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O holy Hope! and high Humility, High as the heavens above!These are your walks, and you have show’d them me, To kindle my cold love.

Dear, beauteous Death! the jewel of the Just, Shining nowhere, but in the dark;What mysteries do lie beyond thy dust, Could man outlook that mark!

He that hath found some fledg’d bird’s nest may know, At first sight, if the bird be flown;But what fair well or grove he sings in now, That is to him unknown.

And yet as Angels in some brighter dreams Call to the soul, when man doth sleep:So some strange thoughts transcend our wonted themes, And into glory peep.

If a star were confin’d into a tomb, Her captive flames must needs burn there;But when the hand that lock’d her up gives room, She’ll shine through all the sphere.

O Father of eternal life, and all Created glories under Thee!Resume Thy spirit from this world of thrall Into true liberty.

Either disperse these mists, which blot and fill My perspective still as they pass:Or else remove me hence unto that hill, Where I shall need no glass.

Source

The Oxford Book of English Verse 1250–1900, 1900

Filed under
  • Section “CONSOLATION”, The World's Best Poetry

THE KING OF DENMARK'S RIDE

Caroline E.S. Norton

In 0 Wikipedias 2 anthologies Poet in 19 Wikipedias

Word was brought to the Danish king (Hurry!)That the love of his heart lay suffering,And pined for the comfort his voice would bring; (O, ride as though you were flying!)Better he loves each golden curlOn the brow of that Scandinavian girlThan his rich crown jewels of ruby and pearl: And his rose of the isles is dying!

Thirty nobles saddled with speed; (Hurry!)Each one mounting a gallant steed

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Which he kept for battle and days of need; (O, ride as though you were flying!)Spurs were struck in the foaming flank;Worn out chargers staggered and sank;Bridles were slackened, and girths were burst;But ride as they would, the king rode first, For his rose of the isles lay dying!

His nobles are beaten, one by one; (Hurry!)They have fainted, and faltered, and homeward gone;His little fair page now follows alone, For strength and for courage trying!The king looked back at that faithful child;Wan was the face that answering smiled;They passed the drawbridge with clattering din,Then he dropped; and only the king rode in Where his rose of the isles lay dying!

The king blew a blast on his bugle horn; (Silence!)No answer came; but faint and forlornAn echo returned on the cold gray morn, Like the breath of a spirit sighing.The castle portal stood grimly wide;None welcomed the king from that weary ride;For dead, in the light of the dawning day,The pale sweet form of the welcomer lay, Who had yearned for his voice while dying!

The panting steed, with a drooping crest, Stood weary.The king returned from her chamber of rest,The thick sobs choking in his breast; And, that dumb companion eyeing,The tears gushed forth which he strove to check;He bowed his head on his charger's neck:"O steed, that every nerve didst strain,Dear steed, our ride hath been in vain To the halls where my love lay dying!"

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

Filed under
  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

MY CHILD

John Pierpont

In 0 Wikipedias 2 anthologies Poet in 5 Wikipedias

I cannot make him dead! His fair sunshiny headIs ever bounding round my study chair; Yet when my eyes, now dim With tears, I turn to him,The vision vanishes,--he is not there!

I walk my parlor floor, And, through the open door,I hear a footfall on the chamber stair; I'm stepping toward the hall To give the boy a call;And then bethink me that--he is not there!

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I thread the crowded street; A satchelled lad I meet,With the same beaming eyes and colored hair; And, as he's running by, Follow him with my eye,Scarcely believing that--he is not there!

I know his face is hid Under the coffin lid;Closed are his eyes; cold is his forehead fair; My hand that marble felt; O'er it in prayer I knelt;Yet my heart whispers that--he is not there!

I cannot make him dead! When passing by the bed,So long watched over with parental care, My spirit and my eye Seek him inquiringly,Before the thought comes, that--he is not there!

When, at the cool gray break Of day, from sleep I wake.With my first breathing of the morning air My soul goes up, with joy, To Him who gave my boy;Then comes the sad thought that--he is not there!

When at the day's calm close, Before we seek repose,I'm with his mother, offering up our prayer; Whate'er I may be saying, I am in spirit prayingFor our boy's spirit, though--he is not there!

Not there!--Where, then, is he? The form I used to seeWas but the raiment that he used to wear. The grave, that now doth press Upon that cast-off dress,Is but his wardrobe locked--he is not there!

He lives!--In all the past He lives; nor, to the last,Of seeing him again will I despair; In dreams I see him now; And, on his angel brow,I see it written, "Thou shalt see me there!"Yes, we all live to God! Father, thy chastening rodSo help us, thine afflicted ones, to bear, That, in the spirit land, Meeting at thy right hand,'Twill be our heaven to find that--he is there!

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

Filed under
  • Section “CONSOLATION”, The World's Best Poetry

THE MORNING-GLORY

Maria White Lowell

In 0 Wikipedias 2 anthologies Poet in 5 Wikipedias

We wreathed about our darling's head The morning-glory bright;Her little face looked out beneath So full of life and light,So lit as with a sunrise, That we could only say,"She is the morning-glory true, And her poor types are they."

So always from that happy time We called her by their name,And very fitting did it seem,-- For sure as morning came,

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Behind her cradle bars she smiled To catch the first faint ray,As from the trellis smiles the flower And opens to the day.

But not so beautiful they rear Their airy cups of blue,As turned her sweet eyes to the light, Brimmed with sleep's tender dew;And not so close their tendrils fine Round their supports are thrown,As those dear arms whose outstretched plea Clasped all hearts to her own.

We used to think how she had come, Even as comes the flower,The last and perfect added gift To crown Love's morning hour;And how in her was imaged forth The love we could not say,As on the little dewdrops round Shines back the heart of day.

We never could have thought, O God, That she must wither up,Almost before a day was flown, Like the morning-glory's cup;We never thought to see her droop Her fair and noble head,Till she lay stretched before our eyes, Wilted, and cold, and dead!

The morning-glory's blossoming Will soon be coming round,--We see their rows of heart-shaped leaves Upspringing from the ground;The tender things the winter killed Renew again their birth,But the glory of our morning Has passed away from earth.

Earth! in vain our aching eyes Stretch over thy green plain!Too harsh thy dews, too gross thine air, Her spirit to sustain;But up in groves of Paradise Full surely we shall seeOur morning-glory beautiful Twine round our dear Lord's knee.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

Filed under
  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

AFTER SUMMER

Philip Bourke Marston

In 0 Wikipedias 2 anthologies Poet in 4 Wikipedias

We'll not weep for summer over,-- No, not we:Strew above his head the clover,-- Let him be!

Other eyes may weep his dying, Shed their tearsThere upon him, where he's lying With his peers.

Unto some of them he proffered Gifts most sweet;For our hearts a grave he offered,-- Was this meet?

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All our fond hopes, praying, perished In his wrath,--All the lovely dreams we cherished Strewed his path.

Shall we in our tombs, I wonder, Far apart,Sundered wide as seas can sunder Heart from heart,

Dream at all of all the sorrows That were ours,--Bitter nights, more bitter morrows; Poison-flowers

Summer gathered, as in madness, Saying, "See,These are yours, in place of gladness,-- Gifts from me"?

Nay, the rest that will be ours Is supreme,And below the poppy flowers Steals no dream.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

Filed under
  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

FOR CHARLIE'S SAKE

John Williamson Palmer

In 0 Wikipedias 2 anthologies Poet in 0 Wikipedias

The night is late, the house is still;The angels of the hour fulfilTheir tender ministries, and moveFrom couch to couch in cares of love.They drop into thy dreams, sweet wife,The happiest smile of Charlie's life,And lay on baby's lips a kiss,Fresh from his angel-brother's bliss;And, as they pass, they seem to makeA strange, dim hymn, "For Charlie's sake."

My listening heart takes up the strain,And gives it to the night again,

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Fitted with words of lowly praise,And patience learned of mournful days,And memories of the dead child's ways.His will be done, His will be done!Who gave and took away my son,In "the far land" to shine and singBefore the Beautiful, the King,Who every day does Christmas make,All starred and belled for Charlie's sake.

For Charlie's sake I will arise;I will anoint me where he lies,And change my raiment, and go inTo the Lord's house, and leave my sinWithout, and seat me at his board,Eat, and be glad, and praise the Lord.For wherefore should I fast and weep,And sullen moods of mourning keep?I cannot bring him back, nor he,For any calling, come to me.The bond the angel Death did sign,God sealed--for Charlie's sake, and mine.

I'm very poor--this slender stoneMarks all the narrow field I own;Yet, patient husbandman, I tillWith faith and prayers, that precious hill,Sow it with penitential pains,And, hopeful, wait the latter rains;Content if, after all, the spotYield barely one forget-me-not--Whether or figs or thistle makeMy crop content for Charlie's sake.

I have no houses, builded well--Only that little lonesome cell,Where never romping playmates come,Nor bashful sweethearts, cunning-dumb--An April burst of girls and boys,Their rainbowed cloud of glooms and joysBorn with their songs, gone with their toys;Nor ever is its stillness stirredBy purr of cat, or chirp of bird,Or mother's twilight legend, toldOf Horner's pie, or Tiddler's gold,Or fairy hobbling to the door,Red-cloaked and weird, banned and poor,To bless the good child's gracious eyes,The good child's wistful charities,And crippled changeling's hunch to makeDance on his crutch, for good child's sake.

How is it with the child? 'Tis well;Nor would I any miracleMight stir my sleeper's tranquil trance,Or plague his painless countenance:I would not any seer might placeHis staff on my immortal's face.Or lip to lip, and eye to eye,Charm back his pale mortality.No, Shunamite! I would not breakGod's stillness. Let them weep who wake.

For Charlie's sake my lot is blest:No comfort like his mother's breast,No praise like hers; no charm expressedIn fairest forms hath half her zest.For Charlie's sake this bird's caressedThat death left lonely in the nest;For Charlie's sake my heart is dressed,As for its birthday, in its best;For Charlie's sake we leave the rest.To Him who gave, and who did take,And saved us twice, for Charlie's sake.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

Filed under
  • Section “CONSOLATION”, The World's Best Poetry

GRIEF

William Shakespeare

In 0 Wikipedias 1 anthology Poet in 237 Wikipedias

QUEEN.--Good Hamlet, cast thy nighted color off,And let thine eye look like a friend on Denmark.Do not, forever, with thy veiled lidsSeek for thy noble father in the dust:Thou know'st 'tis common,--all that live must die,Passing through nature to eternity.

HAMLET.--Ay, madam, it is common.

QUEEN.--If it be,Why seems it so particular with thee?

HAMLET.--Seems, madam! nay, it is; I know not seems.'Tis not alone my inky cloak, good mother,Nor customary suits of solemn black,Nor windy suspiration of forced breath,No, nor the fruitful river in the eye,Nor the dejected havior of the visage,Together with all forms, modes, shows of grief,That can denote me truly: these, indeed, seem,For they are actions that a man might play:But I have that within, which passeth show;These, but the trappings and the suits of woe.

Source

The World's Best Poetry, Vol. III, ed. Bliss Carman, 1904

Filed under
  • Section “DEATH AND BEREAVEMENT”, The World's Best Poetry

30 of 97 poems about loss

25 poets

By poet's century of death (29 of 30)

CenturyPoems
17th7
18th6
19th15
20th1

Poets with more than one poem

PoetPoems
William Shakespeare3
Alfred, Lord Tennyson2
Robert Burns2